Transparent

I live in a culture of good manners and southern charm. And sometimes that takes away the freedom transparency has to offer. I think about this as I compare the unspoken societal rules of respect and polite manners of small southern town living to German frankness and stoic silence - I am acquainted with both.

I believe all these behaviors, I have lived and interacted within desire simply to extend respect and kindness to the other person. Yet, still these ways of communicating intrigue me.

Where is the balance within me?  this person of two cultures? Feeling at home in both but yet, also a stranger at times.

In considering this, I have taken on another 100 day project on Instagram. (not 100% sure I'll finish this one... ) But I am taking time to revisit a few basic watercolor exercises and becoming reacquainted with my palette through play.

I do find the play on words immensely intriguing as I consider the meaning of transparency in relation to these parts of the following definition . . .

Definition of transparent

1. 1a (1) :  having the property of transmitting light without appreciable scattering so that bodies lying beyond are seen clearly : 

2. 2a :  free from pretense or deceit :  frank b :  easily detected or seen through :  obvious c :  readily understood

from https://www.merriam-webster.com/dictionary/transparent

Something to think about.

Here are a few images from my first few days as I have explored transparency, layering and how the hues which surround a subject can impact its "personality".

The first being a color study using lemons as the subject matter. 2 layers of hansa yellow medium and then 2 layers of each of the colors explored.

Theses studies are done quickly. Mainly to see and learn what tones and colors are achieved through the layering process.

I don't necessarily like posting such quick, unfinished and messy studies. I would be lying if I didn't acknowledge that my pride feels something should look just so before putting it out there. But I think I am going to try and get past that.

A book I recently read is challenging me in many ways. It references Leonard Cohen's song Anthem:

Forget your perfect offering
There is a crack in everything (there is a crack in everything)
That's how the light gets in

And in order to be transparent, light must get in. Wouldn't you agree?

(The transparent studies in Daniel Smith Sap and Undersea Green are studies in applying pressure to the brush stroke and the impact it has in the width of the line.)

*Ok, so only after day 6, of this project, I realized I would be unable to do the 100 days straight AFTER ALL due to upcoming travel (which may or may not have internet access) and other obligations. So for simplicity's sake, I am continuing on with the exercises as I am able, but not with the Instagram posting for the 100 straight days as I had originally planned* 4/9/17

What Colour's a Blackbird?

“Drawing makes you look at the world more closely. It helps you to see what you're looking at more clearly. Did you know that?"  

I said nothing. 

"What colour's a blackbird?" she said.

"Black" 

"Typical!” 

― David Almond, Skellig
 

This painting process is of a young European Blackbird.

I've learned that sometimes the pale unseen tender layers beneath the surface are the most beautiful ones. 

My 41 year old eyes needed to do the hard work to see. See what is truly there, not what my mind wanted to tell me was there. And let me say, this bird is so much much more than simply "black". 

Later today I will take on painting the background on this 22" x 30" full watercolor sheet. It's daunting at the moment but I know doing the work IS good.

So wherever your eyes are being challenged to see more clearly today, please do the work. It is good.

Art & Play

"Man is most nearly himself when he achieves the seriousness of a child at play." -Heraclitus

The past week my time in the studio has been playful and fun. I haven't been working on commission or competition pieces. It has simply been a time for painting, cutting, glue, gold leaf and mess making.

I've also learned a little more about these Glanzbilder.  I've so enjoyed placing them in these mini-paintings. They are small colorful images on paper printed originally as Chromolithographs. Historically used for decorative purposes such as in Autograph books (Poesiealbums), letters or as collectables. The illustrations tend to be romantic in nature, sometimes allegorical or oppositional in nature. The collection of these reached the height of their popularity in Germany and Austria between 1880 and 1910. The Glanzbilder used in these creations are all made in Germany. Few printers today still use original designs and the market for collecting has severely declined.

Anyway, I still think they are incredibly fun. Hope you enjoy them!

Glanzbilder and the Pulls of Nostalgia

The pulls of nostalgia are so sweet and strong.  And they hit at the most unexpected times. These gems below are Glanzbilder or Lackbilder. They are part of my childhood memories but something I had forgotten. This December I spied them in a favorite shop in Germany. It's a tiny stationary/magazine shop that feeds my German pen and paper obsession. When I saw these, I knew I had to buy them.

Glanzbilder are used in Poesiealbums. Poesiealbums are a form of autograph/friendship book. I had one as a child. It was white, with a kitten on the front cover.  Poesiealbums were shared with your friends, relatives and teachers. They then would pen a favorite line of prose, poetry or quotation with a message to you, followed by a signature. Looking back I believe this is such an art form! When I presented mine to my elementary school American friends, I think they confused it a bit with a yearbook signature.

My German friends and family approached it differently. To them it was a place to mark how beautiful a person was to you -  In a creative and literary manner, not a first person L.L.A.S note with a Ziggy drawing.  I love how this album captured my personal dichotomy of growing up in two cultures. I love them both for different reasons. (For example, I wanted BOTH a bed with a German down comforter folded in half -like the German do - but also an American rainbow canopy bed set with matching bedskirt. Sadly, I could never marry the two forms of bedding effectively.)

Back to Poesiealbums - One or two of these little Glanzbilder would be added to the page, paired with words of significance. Often the Glanzbilder have a touch of glitter. Who doesn't love a bit of sparkle?

The internet tells me that these albums originally stem from the practice of recording close friends and coat of arms in family trees during the 16th century. The 18th century saw quotations and illustrations added to these notations. By the 19th century, members of literary circles began circulating notebooks of sorts to capture the same. The more commercial forms ofPoesiealbums and Glanzbilder appeared in the 20th century. This website has a few images of Poesiealbum entries.

Because this represents such timeless treasure and charm, I wanted to create a few items featuring these fascinating Glanzbilder. So I've had a very playful and experimental week. I've made cards and a series of mini gold leaf paintings. If you are interested in seeing them in person, I'm delighted that a selection of the mini paintings and cards will be available at TThomas Arts next week.

„... und reißt mir keine Blätter raus, sonst ist es mit der Freundschaft aus ...“